Night Gestalt wants to create simple, transparent music. Music that is as straightforward to experience as light. And as beautiful.

With his new album Staring Light he takes the idea even further. The music was recorded during the spring of 2022 with the aim to follow the light as the days in Sweden became longer and longer - investigating the different shades and gradients of the coming spring - and in the music. Now the ritual will be completed with the release of the music exactly one year later - mirroring the recording of the songs, and once again following the light.

The first single - False Azure - is released on the spring equinox (March 20) - and the album on the summer solstice (June 21) - those magical 24 hours consisting of one endless bright summer night.

The album is spacious and quiet, using a few selected synthesizers and a small piano.

“I sort of promised myself to never record an album with a piano again. But then I was intrigued to see how much I could change the process and still end up with the sound of a piano. And it was a lot! The piano is prepared with tape and small parts - think John Cage or Aphex Twin. And played with thumbs and fingers as much as with the keys. On top of that, it’s heavily processed with effects”, says Night Gestalt.

Night Gestalt started as a love affair for arpeggios, and Staring Light is staying true to the idea. Apart from one song, there is only one note at a time throughout the whole record.

“I love how arpeggios are so simple and yet consist of everything needed to make interesting music: rhythm, melody, harmony, and sound. And I love how you can hear every note. Nothing is hidden. The music is not trying to be anything it’s not, or trying to show off. It just exists, just like light."